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Identity by Miki Stefanoski

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  • Marciano DeSantoz

  • Anonymous

  • Gestalterischer Diskurs

We are enormously proud of this project. It is the biggest thing we’ve ever achieved. And we’ve assembled an amazingin the process, with people we love to work with. And to be honest, right now every single one of us has a knot in our stomachs. We love Pochoclín and everything it stands for, and we feel that we are letting our amazing contributors down. The ones who translated the app into 32 languages, some of which we weren’t even aware existed.

Who Garnery the painter is, or was, I know not. But my life for it he was either practically conversant with his subject, or else marvellously tutored by some experienced whaleman. The French are the lads for painting action. Go and gaze upon all thepaintings of Europe, and where will you find such a gallery of living and breathing commotion on canvas, as in that triumphal hall at Versailles. where the beholder fights his way, pell-mell, through the consecutive great battles of France; where every sword seems a flash of the Northern Lights, and the successive armed kings and Emperors dash by, like a charge of crowned centaurs? Not wholly unworthy of a place in that gallery, are these sea battle-pieces of Garnery. The natural aptitude of the French for seizing the picturesqueness of things seems to be peculiarly evinced in what paintings and engravings they have of their whaling scenes. With not one tenth of England’s experience in the fishery, and not the thousandth part of that of the Americans.

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